When designing hospitals, there is a tendency to follow the road of
rigid institutional buildings as a design concept mainly centering on
functionality. Designing a truly exceptional building goes beyond the
functionality of the spaces with one another. It's a dovetail of
function and form, so perfect, that the impression is unforgettable leaving a lasting sense of encounter with a truly beautiful and
thoughtful design process. This is the case with recently completed
Maggie Center in Churchill Hospital UK, designed by Wilkinson Eyre Architects.
Maggie's Cancer Caring Centres are a network of drop-in centres in Great Britain, which aim to help anyone who has been affected by cancer. |
Taking into consideration the purpose of the building, the architects underwent a thoughtful process of planning and decisions to create a therapeutic and beautiful environment for its users and visitors. Located amongst a small group of trees, they took inspiration from a tree house, raising the building above the ground on Piloti.
A 3D sketch showing the idea of a tree house. |
The location of the Maggie's center amongst the small group of trees. |
They walked away from the characteristic
clinical look
described in my first sentence by adopting angular geometry in its
form creating internal spaces that are full of gentle movement and
light. To ensure the building integrated easily with its woodland
natural environment, timber was used for construction all the way up.
According to the architect, "To minimise disruption to the
flora and fauna, prefabricated crossply laminated timber panels were
erected on glulam timber columns fixed to concealed screw piles below
the ground. Informal clusters of tilted columns support the structure
and evoke a thicket of tree trunks in the woods. The surface materials
are largely timber and glass which are friendly and familiar and while
modern, they will weather naturally and sit comfortably within the
landscape".
The architect described the floor plan as being "composed of three wings emanating from a central
space which is a direct interpretation of the Maggie’s brief, allowing
separate areas for information, emotional support and relaxation. All
are linked to the central welcoming heart of the building which has a
kitchen, dining table and stove. The spaces are of a domestic scale, friendly and inviting but also
offering quiet places to retreat and reflect. Clerestory glazing
connects partition walls to the ceiling, giving the feeling of an
oversailing roof and bringing light through the building. Slot openings
in the roof allow shafts of sunlight into the spaces and openings in the
floor provide views through to the landscape below. Together, these
elements combine to create a strong relationship between the internal
spaces and the natural surroundings, offering views and light from every
aspect. Considered details have further enhanced the Centre’s interior spaces:
the kitchen table (designed by Wilkinson Eyre) and the colourful rug in
the relaxation area (designed by Diana Edmunds) are bespoke designs,
while delicate surface lines etched into the timber walls gently
reinforce the building’s geometry".
The Floor plan, the 3D frame and the roof covering. |
Details of the floor area carried by the Piloti. |
The building blends seamlessly with its environment. According to the architects, "The design interacts
with and embraces nature to provide comfort and reassurance for visitors
in their time of need" - a view we totally agree with.
Source; Arch daily
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